Electro-Harmonix Oceans 11 Multi-Digital Reverb Pedal
Electro-Harmonix Oceans 11 Multi-Digital Reverb Pedal
Step into a world of lush reverberation with the Electro-Harmonix Oceans 11 Multi-Digital Reverb Pedal. This compact marvel offers 11 diverse reverb styles, from classic HALL and SPRING to exotic POLY and SHIM. Dive deeper into customization with "hidden" parameters accessible through Secondary Knob Mode, giving you ultimate control over your sound.
The Oceans 11 features an internal Tails switch, allowing you to choose between a natural fade-out or an immediate stop when bypassed. It even offers infinite reverb capabilities in most settings, letting you layer your sound with adjustable parameters for endless sonic exploration. Compact yet mighty, the Oceans 11 comes with a power supply included, making it a versatile addition to any pedalboard or studio setup.
At Riffs & Licks Music, we think the Electro-Harmonix Oceans 11 combines affordability, versatility, and advanced functionality, making it a must-have for any guitarist seeking dynamic reverb effects.
Reverb Types
| Hall | The rich reverberant sound of a grand concert hall |
| Spring | Pays homage to the classic Fender 6G15 tube spring reverb |
| Plate | The lush, warm reverb that got its name because a large metal plate was originally used to create it |
| Revers | Emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.) |
| Echo | Sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb |
| Trem | Reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes |
| Mod | Modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined. |
| Dyna | Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting. |
| Auto-Inf | Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one |
| Shim | Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal |
| Poly | Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature |
Features
| 11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY |
| Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass |
| Easy access to powerful “hidden” parameters thru Secondary Knob Mode |
| Able to produce infinite reverb you can play over in most settings |
| Power supply included |
Specifications
| Circuit | Digital |
| Bypass | Buffered Bypass |
| Audio | Mono |
| Power Supply | 9.6VDC-200mA power adapter included |
| Dimensions (in) | 4.5 x 2.75 x 2.1 |
| Current Draw | 150mA |
(690OCEANS11)
| SKU | 690OCEANS11 |
| Barcode # | 683274012100 |
| Brand | Electro Harmonix |
| Shipping weight | 0.9000kg |
| Shipping width | 0.100m |
| Shipping height | 0.100m |
| Shipping length | 0.150m |
| Shipping cubic | 0.001500000m3 |
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